My wife said she thought the plastic-covered rocks looked like brownies. Mmm!
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My wife said she thought the plastic-covered rocks looked like brownies. Mmm!
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This is one of my favorite minifigure hairpieces, ever.
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Goshdangit, do I love my New Wave-style shades of purple.
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You know the cops, always to blame for poor cell service.
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Now and then I look back and consider how the comic has changed over the years. While it’s rare, I do forego punchlines in some storylines. I greatly appreciate those who have told me the plot and photography still manage to carry that atmosphere, even when starring little plastic people with perpetual smiles.
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It might seem frivolous to create LEGO comics when you’re personally going through tough times, but I find it relaxing and satisfying to keep writing, shooting and assembling comics. Do any of you other comic creators find that to be the case?
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Sometimes I find out long after I completed the photos for a comic that several shots were messed up, either blurry or bad lighting or a gross hair (and I have really long hair) or cat hair–there’s so much cat hair here–wandered into the shot. The last thing I want to do is go back and reshoot. So then I end up adjusting or cropping to try and salvage the photos (which are photographed to match the script, so I need ’em to tell the story). In today’s case, I thought it ended up working rather well in terms of conveying mood and shook up my standard format a bit.
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I had to name that character Mitch so it was clear it wasn’t Schwartz.
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The only thing more heinous that a crime of passion is a crime of fashion.
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If I fled as far away as I could drive, I’d probably get two Walmarts from my house before deciding I’m bored of the whole enterprise and turning around.
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